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“Some falls don’t break you — they build you.” Cody Johnson’s new music video “The Fall” turns the raw grit of rodeo life into poetry. Shot between smoky bull rings and open plains, it mirrors his own battles — moments when pain and purpose collide. The story follows bullfighter Cody Webster, whose bruises become symbols of courage, echoing the song’s message: the way we rise defines us more than the way we fall. The rain, the dust, the music — they all tell one truth: falling isn’t failure, it’s part of the journey.

Cody Johnson’s “The Fall” — Where Country Music Meets the Spirit of Rodeo

Introduction
Few country artists embody the rodeo spirit as deeply as Cody Johnson. His latest music video, “The Fall,” captures that raw connection between music and the dirt arena — between struggle and redemption. Released as part of the deluxe edition of his Leather album, the video stands as a tribute to everyone who’s ever hit the ground hard and found the strength to rise again.

The Story Behind “The Fall”
In “The Fall,” Cody Johnson tells a story that’s both deeply personal and universally human. The video features Cody Webster, a real-life champion bullfighter, portraying a man who faces relentless challenges in the rodeo ring. Each time he’s thrown, the pain is real — yet so is his resolve. Between these scenes, Johnson appears in a moody, rain-soaked performance, his voice steady but emotional, as if channeling every rider who’s ever tasted dirt and refused to quit.

The visual’s power lies in its simplicity. It doesn’t dramatize the rodeo — it honors it. The falls, the pauses, the quiet moments of reflection all echo Johnson’s central message: failure doesn’t define a person; perseverance does. “The fall” becomes a metaphor for life — for heartbreak, for setbacks, for every time someone’s told you that you can’t.

Art Meets Reality
At the time of the video’s release, Cody Johnson himself was recovering from a ruptured eardrum, forcing him to cancel parts of his 2025 tour. That reality makes the video even more poignant. Just like the bullfighter he portrays, Johnson’s career has always been a dance between pain and passion — a reminder that country music often draws its truest beauty from hardship.

Cinematically, “The Fall” balances grit with grace. The alternating cuts between the rodeo chaos and Johnson’s quiet performance under the rain reflect how strength often grows in solitude. The song’s lyrics reinforce that sentiment: “It’s the fall that teaches you to stand tall.” It’s not a polished story — it’s a scarred one. And that’s exactly why it feels so authentic.Cody Johnson’s “The Fall” isn’t just another country video — it’s a statement about resilience. Whether on a bull, a stage, or in everyday life, the message is the same: every bruise is a badge of endurance, every fall a lesson. In merging music and rodeo, Johnson gives fans something beyond a song — he gives them a story that reminds us that the ground isn’t the end; it’s just the start of rising again.

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“Some falls don’t break you — they build you.” Cody Johnson’s new music video “The Fall” turns the raw grit of rodeo life into poetry. Shot between smoky bull rings and open plains, it mirrors his own battles — moments when pain and purpose collide. The story follows bullfighter Cody Webster, whose bruises become symbols of courage, echoing the song’s message: the way we rise defines us more than the way we fall. The rain, the dust, the music — they all tell one truth: falling isn’t failure, it’s part of the journey.

Country Music

“HE LAUGHED, HE FOUGHT A GATOR, AND HE WALKED AWAY — HIS NAME WAS AMOS MOSES”. It happened so fast Jerry Reed barely believed his eyes. One moment he was hiding from the Louisiana rain beneath an old bridge, and the next — he was watching a man wrestle a full-grown alligator with his bare hands. Mud splashed, the swamp roared, and Jerry shouted over the thunder, “Are you crazy, man?” The stranger just laughed — a deep, fearless laugh that cut through the storm. His skin was sunburned, his arms streaked with mud and blood, but his eyes burned bright with something wild and untamed. He wiped the rain from his face, looked straight at Jerry, and said calmly, “My name is Amos Moses.” Jerry never forgot that moment. Later, he’d say it felt like meeting a legend — not a man. That single encounter, born in the chaos of the swamp, became the heartbeat of one of country music’s most unforgettable songs.

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YOU THINK YOU’VE HEARD HEARTBREAK BEFORE? WAIT TILL THIS ONE BLOWS YOU APART. The first note slid through the room like smoke from a half-burned memory. Kris Kristofferson didn’t sing that night — he confessed. Every word of “For the Good Times” felt like a bruise he never let heal. The crowd wasn’t cheering; they were listening the way you listen when someone tells you the truth they’ve been hiding for years. “Lay your head upon my pillow…” — it wasn’t just a lyric, it was surrender. You could almost see the ghosts behind his eyes: the women he loved, the roads he left, the silence that followed every goodbye. Kris wasn’t performing. He was bleeding quietly in front of strangers who saw themselves in every word. That’s the thing about songs like this — they don’t just play; they haunt. Long after the guitar fades, you’re still there, sitting in the dark, realizing maybe heartbreak never really ends… it just changes its voice.

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